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. . . there was a little disco club there called Le Hibou, which in French means 'the owl. ' And it was run by a gentleman named Harvey Glatt, and he brought every, and I mean every, blues star that you or I would ever have wanted to have seen through Ottawa in the late '50s, well I guess more late '60s sort of, in around the Newport jazz rediscovery. I was going to Le Hibou and hearing James Cotton, Otis Spann, Pinetop Perkins, and Muddy Waters. I actually jammed behind Muddy Waters. S. P. Leary left the drum kit one night, and Muddy said 'anybody out there play drums? I don't have a drummer. ' And I walked on stage and we started, I don't know, Little Red Rooster, something. He said 'keep that beat going, you make Muddy feel good. ' And I heard Howlin' Wolf (Chester Burnett). Many, many times I saw Howlin' Wolf. As well as The Doors. And of course Buddy Guy, Buddy Guy and Junior Wells, Sonny Terry and Brownie McGhee. So I was exposed to all of these players, playing there as part of this scene to service the academic community in Ottawa, a very well-educated community. Had I lived in a different town I don't think that this would have happened, because it was just the confluence of educated government workers, and then also all the colleges in the area, Ottawa University, Carleton, and all the schools—these people were interested in blues culture.